** This review (and the book) will contain possible triggers regarding domestic abuse and violence **
“It’s like his back is broken, Mama had said, and you don’t stop loving a person when they’re hurt. You get stronger so they can lean on you. He needs me. Us.”
So we meet the Allbright family. Ernt and Cora, along with their daughter Lenora, or Leni for short. They find themselves struggling to forge a life in a country torn apart by war and in the midst of social change. Ernt is broken, not adjusting back into everyday life after returning to the States from a POW camp in Vietnam. And while women are burning their bras and marching for change, Cora still can’t get even a credit card without her husband or fathers signature. Cora and Leni need Ernt.
When he receives a letter from the father of a man he served with, offering them land and a home on a piece of property in remote Alaska, Ernt is convinced this is the second chance he needs. That in the great expanse of Alaskan wilderness he will find the peace he is searching for and be able to finally take care of his family. Cora, desperate for the man she feel in love with to return, readily agrees. What they can’t sell, they pack the rest into their VW bus and head North.
“The last frontier was like her dad, it seemed. Larger than life. Expansive. A little dangerous.”
Summer in Alaska is a bit magical. Light that never quite fades, the beauty and majesty of Alaska captivating, enthralling, bewitching. Hannah captures the essence of this lush landscape in her words, and you feel the hope the Allbright’s feel in their first months in Alaska. They are welcomed into the tight community, and the constant work is good for Ernt to help keep his demons at bay.
But, we know, all magic comes with a price. And that price is Winter. As the days grow shorter, and the weather tightens it’s grip, making the world smaller, Ernt has to face the demons he’s been running from.
“Terrible and beautiful. It’s how you know if you’re cut out to be an Alaskan. Most go running back to the Outside before it’s over.”
We get this novel mostly from the perspective of Leni. Spanning her youth from 13 on, the majority of the book is spent in her teenage years. We see her parents toxic relationship entirely from her point of view, which makes it feel maddening and heart breaking. She understands and doesn’t understand. She is confused, not just what her father is going through, and why he behaves the way he does, but why her mother dances this dance as well.
This narrative is heartbreaking because we go through each tumultuous up and down with Leni. We feel her confusion. We feel her heartbreak. We feel her anger and her rage and her deep sadness. Our heart breaks with her over and over and over again.
The Great Alone is a slower novel, building into each explosive moment with quiet ease. In this way, I think Hannah does an excellent job showing how slowly these violent situations can grow. How they can start small, each explosion a little worse, and a little worse. How that makes it hard to see the violence for the truth of it. And by the time you do, it can be too late.
Showing us this slow escalation through the eyes of Leni gives us the tragic view of a child. How things can go from stable and sure, to unstable and unsure at a moments notice. Leni can only try to understand what she sees and hears from her mother, and those answers aren’t always satisfying, to her or the reader. But, she loves her mother, and as a child, she is trapped in the decisions of her parents and has to sort them out as best she can.
“But was she supposed to be trapped forever by her mother’s choice and her father’s rage?”
We also have the added element of PTSD, though the name wasn’t around at the time. This is also a slow descent into madness for Ernt as well. We don’t begin with a violent man, but time and choices wear him down. I don’t think this was done to evoke sympathy for Ernt, but perhaps to show how tangled these situations can be for the people woven into them.
Writing domestic abuse isn’t easy. Since we are getting this narration through Leni’s eyes, we don’t get full explanations. We get glimpses into understanding. Excuses and half explanation in conversation with her mother. We see how love and hate can become mixed, and how difficult it can be to really untangle when love becomes too toxic to save.
“Someone said to me once that Alaska didn’t create character; it revealed it.”
Hannah uses the actual setting of Alaska almost as another character in the book. She shows that living in this harsh, rugged environment can be incredibly beautiful, with descriptions so gorgeous they make you ache. Her prose is lyrical and wondrous, showing the beauty that can be both breathtaking and deadly. She brings Alaska alive and shows us that it is a changing, demanding, living thing.
Using the landscape of Alaska gives the entire book a visceral feel. You can feel how dangerous and beautiful Cora’s love for Ernt is in the very nature of where they live. How it can feel full of hope and light during the summer months. Yet it can be isolating and terrifying in the winter. How it can be simultaneously breathtaking and wondrous, but also cold and cruel.
The Great Alone takes us down a difficult journey. It is beautiful but painful, and there are many scenes that are incredibly hard to read. There is hope and redemption, but like living in Alaska, it takes work. You have to get through the cold, harsh winter to experience the magic of summer. This is a novel about love and loss, heartbreak and despair, resiliency and hope. It is a book that will stay with you and change you.
Thank you BookSparks and St. Martin’s Press for sending me a copy to read and review for #WRC2018!
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