“The sun was up, so the dark could start. All about the ground, all in the same direction, shadows sprawled. And this is what he was after.”
Oh how deliciously dark Sip is! A novel where we find ourselves 150 years in the future. A future where people can drink their shadows and change their bodies to float and distort in ways not possible before. But there is a heavy price. Once you drink, you must always drink. And if you drink too much, you are lost forever.
We follow two main characters, Murk, a shadow addict, and Mira, a girl who can hide her shadow. Mira’s mother is a shadow addict herself, but her fate is far worse than Murk. For when an addict sips your shadow, if they don’t stop they can steal the entire thing. And you are left the shell of who you once were, forced to sip shadows or face the madness beyond.
Of course, Murk doesn’t have life easy either. His leg was stolen from him. Chopped and taken, sold to the black market to be kept alive for a time on a machine invented for creating shadows. But he lost his leg before he lost his shadow, which offers him some protection as his shadow will never be whole.
This world is dark and gruesome, full of violence, and run wild with madmen. But within this world are pockets of people trying to live normal lives, away from these addicts. Called domers, for they live beneath a dome. Blocking the sunlight and moonlight so that the addicts can’t steal their souls. The perimeter blocked by a perpetually running train and guarded by soldiers trained to shoot if anyone gets too near.
“Bored soldiers slaughtering innocents predates the naming of war, will go on after the words we call it are broken.”
Mira’s ability to control her shadow catches the interest of a domer, Bale. But his interest is expensive, and he gets thrown out of his dome as a penalty for not shooting her on sight.
Now the three of them, an unlikely trio, set off to test the theory that if you kill whomever stole your shadow before Halley’s Comet appears again, after the comet passes, you will return to normal. Mira desperately wants her mother back, and so she sets off on her quest. Time running out, since the comet is due within days.
Sip does not hold back on the brutal reality of a world overrun with addicts. I actually found the use of shadow addicts an interesting way to show the desperation and extremes addicts will go through for one fix, for one more high, for just one more. In a world where they are the majority, things can become chaotic and bleak very quickly.
We don’t see the world outside of the rural Texas area that Mira, Murk and Bale live, but we hear hints of other dome communities scattered about. All with trains running in circles to protect them. I thought it was fascinating how the addiction was also like a virus, contagious and rampant, and hit before people knew how to fight it. It is a unique dystopian unlike anything I’ve ever read before.
This book is dark in nature but shines bright within the characters it creates. Mira and Murk, unlikely friends, but friends all the same. And even Bale, with his knowledge of nothing but life within the dome will cause you to root for them, to root for their success. Because the journey is difficult, and filled with unexpected stops and obstacles along the way.
If you can’t stomach gritty, raw violence or the stark yet simple brutality of an apocalyptic future dominated by ruthless addicts, this is not a book for you. It will make you cringe, and your stomach turn, for death and violence is simply the way of life in this world, and Carr does not shy away from immersing the reader into the full experience of it.
“Some madnesses are so bizarre that they entice witnessing. Those in the bar who had been preoccupied with debauchery, who had been lost in the melee of drinking and lustful deeds, tapered their pursuits in order to watch this grimy operation.”
It is a book that requires you simply accept things as fact without necessarily understanding them. I didn’t ever get the full sense of why people could drink their shadows, or how it made them addicts. It isn’t that Carr doesn’t offer a brief history through the characters eyes, he does. But it is done in the way you would expect stories to be told. Vaguely, details lost or misunderstood with each telling, the decades between the event and the present altering it, diminishing it, leaving only what they deem important. You don’t get science, or factual information. However, not understanding didn’t take away from the rich narration of this world, or make it’s reality any less detailed.
The before and the after are less relevant to this story than the here and now. Which, if anyone has ever dealt with addiction, first hand or otherwise, it felt like this focus on the present story was a nod to the adage ‘One Day At A Time’ that you hear in meetings and therapy over and over. For addicts, there is only today, and so in that same way, we get the present. It felt poetic to me.
If it feels that perhaps the book may be ‘too out there’, or ‘weird’, I assure you it’s my own reluctance to delve into too many details. The world sounds difficult to picture, and the concepts may be hard to envision, but once you dive into this world, as gruesome and violent as it is, it is worth the journey. Once you begin, the characters pull you in and the sheer determination they have to move forward will move you forward too. It is a dark world. A violent one. Full of mayhem and criminality that makes the Wild West look like playtime in preschool. But you still can’t help but hope with the characters that life can always get better.
For my dark readers out there, this is a novel you do not want to miss! I will be reading Carr’s short stories and will for sure read anything he puts out next. I am a fan!
Thank you Soho Press for sending me a copy to read and review.