“All those things you fear will reach from into the shadows and pull you down there with them.”
Seance Infernale is an intense thriller following Alex Whitman on his journey to find a piece of film, only rumored to exist. In America, Thomas Edison is credited with building the first camera known to capture motion pictures. In France, the Lumber brothers. But one year before Edison filed his patent, a man named Augustin Sekular is rumored to have built and filmed the world’s first motion picture camera. Conveniently, or rather inconveniently, one year before Edison files for his patent, Sekular vanished from a train, never to be seen or heard from again, taking all signs of the camera with him.
However, the man hiring Whitman to find this lost piece of film isn’t interested in any of the film strips by Sekular known and catalogued. He wants one so rare, it is only whispered about: Seance Infernale. A film only referred to in a letter by a man known in history to be a conman of sorts.
This book is more than a hunt for rare art. More than a historical mystery yearning to be solved. We learn that Whitman lost his daughter ten years prior. Abducted in a park in Edinburgh and never heard from again, she haunts Whitman. His acceptance of this job, and this hunt for Sekular’s film takes him back to the city filled with ghosts. Whitman will have to face his own ghosts, while searching for Sekular’s.
“Sources failed to indicate Sekular’s exact Edinburgh address, they stated that the family lived in a perilous region, full of seedy businesses, dark alleys, and run-down tenements, a place “where wickedness loses its seductive appeal by manifesting in all its depravity.”
Whitman isn’t the only perspective we get; however. In addition to his hunt for this mythical film, a Detective Sergeant, Georgina McBride is hunting an elusive creature of a different sort. A serial killer prowling the streets of Edinburgh, kidnapping children and leaving their bodies in alleys. Georgina needs to find his latest victim while there’s still a chance they are alive.
Two different people searching for two different things, and yet their paths cross in unpredictable ways. But the more each of them discovers, the more they realize their searches are more dangerous than either one ever anticipated.
“Because a murder investigation is first and foremost a hired investigation; your client may be silent and dead, but he is still screaming out for justice.”
This book shocked me! I was expecting a hunt through time to solve a lost mystery. But, the present day twists with McBride’s serial killer hunt kept me on my toes! It was easy to lulled into the mystery of this lost film, and what happened to Sekular. As soon as you got comfortable in that story, you were slammed into the present day with the hunt for this killer. In addition, we get some narration from Elliot, the killer himself, told in such a way that you aren’t sure who he is going to end up being, or why he is important to Whitman and this film.
There is graphic violence in this book, both in what Elliot does to his victims and some flashbacks of other scenes in characters lives. One particular scene of animal cruelty was two pages I skipped, it was that grotesque. So, if that sort of violence unnerves you or makes you queasy, this may not be the book for you.
As far as dark thrillers, this book is crazy dark and crazy intense. I was climbing the walls, reading between my fingers, and definitely leaving the lights on to make it through this book! The author does a fantastic job weaving characters in and out of the plot, and just when you’ve forgotten about someone, they pop back in to play. He has a talent for making you look to the left and then hitting you from the right. Every twist and turn was like plummeting down a roller coaster blind folded. It is exhilarating but also terrifying.
My favorite parts are when we are taken below ground into ancient and forgotten parts of Edinburgh. Areas simply entombed over in the name of progress. Skariton does an insane job bringing places to life. I could taste the dust and smell the stale air as crypts and catacombs were discovered and explored. And nothing says creepy more than underground houses, forgotten tunnels and old graveyards.
“You could have walked past it every day on the way to work and you wouldn’t have noticed it, padlocked behind doors or hidden underground. It was right there, for everyone to see, yet it was unknown. But that was Edinburgh, revealing itself only in the constant vigilance of dark, steady eyes.”
I did read this as an ARC, so there were some pieces that seemed incomplete. I don’t mean the writing, it’s more the presentation of the book. This is a book that has art within the book, and with those pieces missing, it felt a little confusing. Some were there, but notes at the bottom and the notes in the back seemed to not quite be finished, so I didn’t feel that I got the entire experience.
The hardest thing, and again, this may be fixed in a final copy, is there weren’t any years in the chapter headers. The book is divided into sections with the date (month and day) listed at the beginning of each section. But, the narration jumps between the years quite a bit and it can get confusing, especially as we are reading between multiple points of view. It isn’t overwhelming, but I did have to backtrack a few times to figure out where I was supposed to be.
In all, this book was perfect for October reading and for the #spookathon. It will leave your heart racing and your stomach churning as you hold your breath waiting to read the outcome. If you like dark, if you love thrillers, and you don’t mind some intense violence, this book is definitely for you!
I won this in a giveaway from AA Knopf, and was not required or obligated to review.